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KK The Undisputed King
Image courtesy IndianExpress.com

A well-contested argument between Kishoreda and Rafi fans is always on cards whenever somebody speaks their heart out with respect to one of these two Indian greats - I have myself previously spoken on this subject. Recently, I discovered the following article by Sandipan Deb in The Indian Express, which declares Kishoreda as the numero uno without any leverage for Rafi fans.

Sandipan says, “his (Kishore’s) voice could transport you, and he had many voices, depending on which actor he was singing for, but all of them maintained a virility and a realness that I have always found missing in singers like Mohammad Rafi: even Rafi’s happy songs have always sounded a tad mournful to me and — sorry — a bit effeminate, and there’s too much training, too much technique behind those high pitched notes. In contrast, Kishore Kumar’s voice and his singing are guileless and straight from the heart. But he was much more than the voice. If ever there was a man who was living life to the full without making any concessions to any perceived wisdom, it was him. And it showed in his best songs, whether joyous or melancholy.”

A bit harsh for devoted Rafi listeners, one has to say, but the author backs himself up with some good observations. An overall thoughtful analysis, I’d say. Specially, if you recall how Rafi’s classical mold gave away to KK’s all-round performance post 1970. Hindi Cinema was, no doubt, bracing through a major transformation, which required more versatile singers and composers like Kishoreda, RD Burman and Asha Bhonsle. These three gave us with the best of whatever music we could think from that era.

While Gujarat and West Bengal may stand poles apart in many areas including their political beliefs, Kishoreda’s virtuosity is something nobody disputes about!